Duran Duran talk Vegas shows, Andy Taylor’s health and why the band still matters

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The girls are still shrieking – only now they’re middle-aged women whose fervor is buoyed by wine and the ability to be untethered to reality for a few hours in Las Vegas.

The boys on stage are in their 60s, but embody the once-a-heartthrob-always-a-heartthrob spirit. The core four of bassist John Taylor, frontman Simon Le Bon, drummer Roger Taylor and keyboardist Nick Rhodes still boast pop star cheekbones, coiffed hair and swagger.

Duran Duran is in the midst of a recent multi-show takeover of the BleauLive Theater at the elegant Fontainebleau Las Vegas and the combination of a barrage of lights, artsy videos and a setlist populated by ’80s and ‘90s monster hits (“The Reflex,” “Ordinary World”) and well-regarded offerings from this century (“Invisible,” “What Happens Tomorrow”) proves their longevity.

But the band also uncorks a surprise among a howling “Hungry Like the Wolf,” the swampy funk of “Notorious” and the muscular “Careless Memories,” an album track 45 years old and still a pinnacle of visceral New Wave.

Duran Duran - (from left) John Taylor, Roger Taylor, Simon Le Bon and Nick Rhodes - recently released the disco-pop song "Free to Love" with longtime friend and collaborator Nile Rodgers.

Stephanie Pistel

“We have a new single,” Le Bon tells the sold-out crowd from the stage. “It’s about the greatest freedom of all – being free to love.”

With that, Duran Duran – augmented by longtime guitarist Dom Brown, backup singers Anna Ross and Rachael O'Connor and saxophonist Simon Willescroft – burst into the glistening slice of disco-coated pop, “Free to Love.”The song, written with frequent collaborator Nile Rodgers, boasts a Chic-like bassline and a groovy videothat pays homage to "Top of the Pops," the long-running British record chart show akin to “American Bandstand” that influenced generations of music fans until its 2006 demise.

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